Turn a portrait into a study.

Use the uploaded photograph as the identity and composition reference. Interpret it as a hand-drawn portrait illustration — not an edge-detection trace of every photographic edge.

Create a refined black-and-white clean fine-ink line drawing of the same person. Prioritise exact identity and the source-image facial geometry over stylistic interpretation; do not beautify, reshape, or idealise the face. Preserve the exact eye shape and spacing, eyebrow shape, nose, lips, smile, jawline, hairline, pose, and any distinctive jewellery or accessories. Keep the original pose, angle and lighting direction unchanged.

Line weight: use fine controlled contours with varied weight — darker for the upper eyelids, eyelashes, eyebrows, main hairline and jaw contour; medium for hair masses, lips, clothing and jewellery; light for the nose bridge, lower eyelids, cheeks, chin and subtle form. Do not outline the whole nose — describe it with the nostrils, tip and one or two light bridge lines. Keep balanced interior detail.

Remove pores, photographic noise, harsh wrinkles, and under-eye creases; keep the skin smooth and natural without making the person look younger. Use minimal hatching only where needed to describe form; no grey wash.

Simplify the hair into flowing grouped sections that follow the real direction; preserve the parting and distinctive streaks; use a limited number of elegant accent strands.

Preserve any flowers, branches, jewellery and clothing from the source; draw petals with clean delicate outlines and branches slightly stronger, keeping the face as the focal point. Use a pure white background with no scene, wall, gradient, or clutter.

Do not change the person's identity, facial proportions, expression, age, jewellery, pose or composition. Do not enlarge the eyes, narrow the nose, or alter the lips or smile. Avoid cartoon or anime styling, exaggerated features, heavy uniform outlines, grey wash, charcoal, painterly shading, added objects, text, numbers, signatures or watermarks.